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創意總監? 文成武↖字體設計?  洪美玲↖創意團隊? 一冊品牌

設計背景 圖形來源山海經中的皮影精靈，皮影是非物質文化遺產，我們希望紙張在提供紙張本來的價值同事，能為非物質文化遺產發揚光大，隨著時間變化，我們對傳統文化的理解不一樣，根據當代語境轉換當代人的圖形語言。每一只神獸在紙張的細膩紋理中逐漸顯現，隨著光線的映像，它們仿佛在黑暗中復蘇，化為活生生的存在。紙的每一層折疊與裁剪，都是對神獸形態與精神的精雕細琢，恰如皮影戲中的角色，在光與影的組成中演出出獨特的生命力。這件作品不僅傳承了古老的文化記憶，也通過特種紙的巧妙操作，探索了光影與紙藝交融的藝術可能。

↖The background graphic of the design comes from the skin elves in the Classic of Mountains and Seas. Skin is an intangible cultural heritage. We hope that paper can provide the original value of paper and promote the unstable intangible cultural heritage. As time goes by, our understanding of the changes in traditional culture is different. According to the contemporary context, the graphic language of contemporary people. Each mythical beast gradually appears in the delicate texture of the paper. With each layer of folding and work of light paper, the form and spirit of the mythical beast are carefully carved, just like the characters in the shadow play, showing unique vitality in the composition of light and shadow. This work not only inherits the ancient cultural memory, but also explores the artistic possibility of the fusion of light and paper art through the clever operation of special paper.